Friday, December 31, 2010

The Next Level In Beat Production (NI Does It Again!)

I haven't written a post on beat production centers since my post on the Akai XR20. This is Native Instruments latest MPC beat production unit "Maschine" which I believe is the next level to MPC because it combines both hardware and software in one unit. The link below offers some further samples of how this works and there are a few nice demo videos on there too. 

Beat production is still kind of new to me and I'm still working on putting my own studio together for that purpose but I like when products like this one comes along to help point the way to some outstanding music. Go to this link and you'll see what I mean.   
                                                                                              Maschine 

 For now I'm still working with the Akai products which are also pretty good for someone starting out like myself and the more I use it the better I get at this. The NI Maschine is of course more expensive than the Akai XR20 (about $699.00 retail) but this is still priced lower than the Akai MPC-3000 and it does even more! Talk about bang for your buck!? this is it!

So Happy New Year fans, followers, and fellow DJs let's bring the new year in with a Bangin Beat! and  As Always................"Stay In The Mix"

Wednesday, December 15, 2010

Here's an Article From Gibson Lifestyle (That I Liked)

Napster, iPods and Rock and Roll: 5 Ways the Internet Changed the Music Business

We can all remember putting on a record. Or popping in a cassette tape. Or inserting a CD. But, for most people, these things aren’t second nature anymore. More likely, you go to your computer when you’re in the mood for music. But how did this happen? And when exactly?

It all really took off in the early 1990s. That was back when “you’ve got mail” may have been the sweetest words you heard all day, when logging into a chatroom was still a thrill. This was before Kurt Cobain died or you’d ever heard of an iPod. Now, with the IFPI’s (International Federation of the Phonographic Industry) reporting that more than a quarter of the world’s music is solid digitally, it’s hard to believe that iTunes hasn’t even been around for 10 years yet.

Here’s how, for better or worse, the Internet changed everything about music – and fast.

1. We meet the MP3.

While the rest of us were still stockpiling CDs during the late ’80s, several groups of engineers were hammering out what would become the most important audio format of the 21st century – the MP3. The MP3 went public during the mid-’90s and over the next few years began to spread like wildfire across the Internet. The magic of the MP3 lay in its ability to compress audio into a smaller format while nearly retaining the sound of the original uncompressed audio. Its popularity was spurred especially by the introduction of Winamp in 1997. This Windows-based media player – designed by then-19-year-old college dropout Justin Frankel – allowed MP3s to be stored in a playlist and played on PCs. That same year, MP3.com launched; it featured thousands of free, legal MP3s provided by independent artists.

2. Napster reminds us that nothing in life is truly free.

Napster.com was founded in 1999 by yet another computer-savvy college dropout – Shawn Fanning – and quickly became an enormously popular peer-to-peer file-sharing service. But it lasted only two years before the record industry succeeded in shutting it down by court order in July 2001, at which time it had more than 25 million users. The most famous lawsuit against Napster was filed by Metallica, which discovered that its song “I Disappear” had leaked to Napster prior to its official release date. Stars like Madonna and Dr. Dre also joined the fight against Napster, while others – Radiohead and Public Enemy’s Chuck D, for instance – actively supported it. Napster’s service was fleeting, and too good to be true, but it whet a global appetite for – and an understanding of – MP3s. Napster declared bankruptcy in 2002, but is today owned by Best Buy and is up and running as a paid site.

3. Apple takes over our personal music collection.

Introduced in 2003, Apple’s iTunes store presented us with copious legal digital downloads and quickly dominated all other online music stores. As of February 2010, more than 10 billion songs had been purchased directly from the iTunes store, helping to bring CD sales down 50 percent from their peak in 2000. Over the past nine years, Apple has continued to build on the success of their iTunes store with a series of high-demand products – most especially the iPod but also the iPhone and the iPad – that depend on the player. This past October, Apple reintroduced its Apple TV; among other feats, the device allows users to access iTunes through their televisions. And just last month the entire Beatles catalog was made available on the store.

4. Audio blogs remind us that there is music beyond the Top 40.

Hand in hand with the MP3 came trailblazing audio blog sites and websites like Buzzgrinder.com and Stereogum.com that introduced large audiences to little-known artists. Many times these sites offered up free MP3 downloads (sometimes legal, sometimes not). In particular, indie musicians got a boost from the trend, with bands like LCD Soundsystem, Clap Your Hands Say Yeah and Cold War Kids breaking into the mainstream as a result of enthusiastic blogger endorsements. Today, blogs and music sites like Gibson.com’s Lifestyle are the way many of us find new music when our radio stations just aren’t cutting it. It’s a win-win situation for music fans, as many popular artists now give blogs free MP3s because of the enormous increase in attention it can bring. By the way, help yourself to free music on http://gibson.com/.

5. Radiohead tells you to go right ahead and download their new album for free.

In October 2007, Radiohead urged their fans to just pick a price, any price, when downloading their highly anticipated seventh studio album, In Rainbows. Many people scratched their heads quite hard over this one. Why would one of the most popular rock bands in the world essentially give their album away? For several reasons: They thought they’d beat the Internet to the punch by going ahead and leaking their own album; they wanted to flip off their former record label; and they wanted to rethink the antiquated model for releasing a record. Turns out, it was a smart move. The band reported that most people paid a normal retail price for the album, and upon its retail release in January 2008, In Rainbows went #1 in both the U.K. and the United States. Nine Inch Nails, Ryan Adams and others have since followed suit.

It just goes to show you how the music industry is forever changing and how this is making DJs have to change along with it. (As I've said in so many other post) 

So that's it for now but as always............"Stay In The Mix"

Tuesday, November 30, 2010

The American Audio VMS4 Controller (Feat. DJ Etronik)

The American Audio VMS4 controller makes a fine competetor to the ring when it comes to controllers. DMC World Champion DJ Etronik makes it look easy with this hands-on demonstration of the product, but keep in mind (he is a "World Champion DJ")

This controller has a lot of features that can be found in higher priced items of this kind and even a few features that are not on the higher priced ones. For example,you have a built in sound card, Midi, and 4 channel mixer all in one. This unit is running a close comparison to Traktor Kontrol S4 in capabilities and at about half the price. Plus, I think that the sound card feature is an added bonus.

When choosing a controller, you definately want to take a look at what kind of bang you're getting for your buck (especially if it's your first one) and I believe this one to be a good choice. You can learn more about this product at the American Audio website at http://www.adjaudio.com/ or by visiting your local music/audio store like Guitar Center.

Well, this closes out my post for this month and I hope you had a Happy Thanksgiving! I know I did! Now I gotta try and work off those extra pounds I've gained! Next month I'll try to feature some of the bargans out there for Christmas.

That's it for now, but as always......... "Stay In The Mix"

Thursday, November 11, 2010

Latest News on the DMC World Champion Finals

Here it is: The Golden Years, DJ Shiftee's time-traveling journey through DMC history. This video is a tribute to all the incredible DJ Champions from DMC's glorious past. DJ Shiftee has spent countless hours over the years studying masters like Roc Raida, Q-bert, Craze, and A-Trak. His goal: to one day stand in their shoes. Literally...


DMC, the preeminent showcase for DJ talent around the world, are pleased to announce that Serato and Rane have come on board as major sponsors of the DMC World DJ Championships, a collaboration which DMC believes will take DJ creativity to an entirely new level with the ability to use Serato's Scratch Live.

In order to balance traditional mixing and the popularity of digital vinyl playback, DMC have confirmed that from 2011 the 26 year old event will, like the DMC DJ TEAM CHAMPIONSHIP, permit the use of the software based system Serato Scratch Live in addition to traditional vinyl.

THE BATTLE FOR WORLD SUPREMACY will continue to support pure turntablism, two decks, vinyl and individual flair and creativity. DMC also plan an ON-LINE WORLD DJ CHAMPIONSHIP which will embrace visual mixing, the potential for which was seen at this year's WORLD CHAMPIONSHIPS with performances by DJs Woody and Shiftee. 

DMCWORLDTV has established itself as the premier portal for DJ performances and now DMC has plans to launch DMC RADIO, a revolutionary channel featuring DJs covering every genre of dance & hip-hop music transmitting from a variety of servers around the world.

Follow this link for the complete story and details http://dmcdjchamps.com/

And remember, as always..... "Stay In The Mix"

Sunday, October 31, 2010

Allen & Heath Xone: DX USB Midi Controller w/Serato Itch

http://images.guitarcenter.com/products/optionLarge/AllenHeath/651861.jpg Happy Halloween to all the DJs, Fans, and followers out there. This Halloween, the only thing scary about the product I'm showing you is the price! But as usual, when I present a product that's not priced low it's because I find it to be well worth the money and this is certainly well worth it's price. The Xone:DX is a performance audio controller for electronic DJs and is the result of close design collaboration between Allen & Heath and Serato. The Xone:DX with Serato ITCH DJ software offers 4 Virtual Decks and Serato DJ FX.

Allen & Heath are the fourth major manufacturing partner to co-engineer on the Serato ITCH platform. Using their 40 years of experience creating world-class mixers and specialty controllers, Allen & Heath has created another excellent medium for electronic music performance. The Xone:DX with ITCH provides the electronic performer with precise control and manipulation of more audio.

The 4 Virtual Decks of the Allen & Heath XONE:DX mixer exist in a clean uncluttered environment on the ITCH software interface. Using the DX library navigation control, you can quickly make selections from your crates. You can then accurately mix 4 audio tracks on the virtual decks along with other external sources. Each of the XONE:DX's virtual decks can be assigned multiple Serato DJ FX that are hosted in ITCH software

OK so you're looking at dropping about thirteen or fourteen hundred for a piece of technology like this but hey I spent twelve hundred on the B-52 prodigy and it didn't even have Serato built in. By the time I puchased Serato separately I had spent over seventeen hundred dollars. So in comparison, this is actually a bargain even at fifteen hundred! No wonder this was such a big hit at this years BPM affair.

Well that's it for now trick-or-treaters but as always, "Stay In The Mix"

Friday, October 15, 2010

BPM 2010 (Just A Peep)

Finally, last year's UK DMC supremacy champion DJ Rasp has been doing sterling work demoing Numark's extensive range of digital goodies to the masses, and I managed to grab a couple of sets of him taming the ITCH based V7 decks and X5 mixer. Purists might be unhappy with a turntablist going for it on digital decks, but the demos do prove that like it or not, quality turntablism can be done on digital decks. I've got a 3 minute set:

I'm still waiting for some footage of this years winner of the Ortfon Serato BPM turntable battle. (I hear it was a young brotha from Chicago that stole the show) but I'll keep on looking for the videos that I know are coming soon! So until next time "Stay In The Mix"

Thursday, September 23, 2010

The Ortofon Serato DJ Battle in the UK

ortofon serato s-120 battle bpm show 2010
Unless you've been in a coma or shunned the civilised world by living in a cave, you'll understand that the BPM Show is the hottest DJ focussed show in Europe. You get a chance to try what is hot, and what is not over 3 days of gearlust madness. But do you want a chance to really test out the gear and your skills? Well Henley (UK Ortofon distributors) are giving you a chance to do just that live and direct in the Ortofon Serato S-120 Battle.

Man, I would love to be there for this. I'm sure this event will bring out some impressive styles and skills on the wheels of steel. This two day event will host five contestants on each day (and the first day of the event is my Birthday!) the winner from each day will win their own little grab bag of prizes, but the overall winner will take home some superb products from Ortofon Serato Distributors.  Pics will follow in future post as soon as they become available.

So UK battlers - fancy your chances? If so, download the entry form and email it back to Henley ASAP. The battle takes place at the BPM Show 2010 - 2-3 October 2010 at the NEC, Birmingham and spaces are limited.

Well that's it for now, but as always "Stay In The Mix"

Saturday, September 4, 2010

The New Traktor Control S4 (Keeping It Hype)





Traktor controllers are nothing new. Being the de facto standard MIDI DJ application for eons, many lumps of hardware have come out that have been made to work with Traktor. But when the word was out that Native Instruments were making hardware specifically FOR Traktor, we all knew it had to be special. And having seen how focussed the Kontrol X1 was, it was clear to see that NI would have something special for us. And while it's taken years to arrive, the Traktor Kontrol S4 just raised the bar for other controllers considerably.

I think it's a wonderful thing when products come along that can throw a whole new spin on ways to express your skills as a DJ. and as I mentioned in a earlier post, the old ways are quickly becoming obsolete. (No More C.Ds) hummm, I had a feeling this would happen. Time for me to start working on my controller techniques a little harder.

Well with all that being said, I suppose the future is now!!!!
Enjoy it for what it's worth and as always, "Stay In The Mix"

Wednesday, August 25, 2010

Multi Touch Light Table for Club DJs !(OMG!!!) What's Next?

Multi Touch Light Table: GERGWERK from GERG WERK on Vimeo.

Like it or not, touch screens are set to impact heavily on the DJ scene. Just last week, we saw Emulator and Töken showing us a way forward, but now Greg Werk has taken the touch screen principle a step or two further. Yes, you still have 2 turntables, but the traditional deck and mixer metaphor has been pulled apart and rebuilt for a finger friendly multitouch environment.

I'm absolutely knocked out with this concept. Great thought has clearly gone into converting physical hardware controls and breaking them down into into slick gesture based DJing. Having little in the way of physical constraints means that the touch screen really is a clean slate (great product name there).

I watch in awe. This is clever stuff and clearly made by someone who understands DJing and technology too. I do wonder however if making the familiar DJ interface into a set of easily forgotten and messed up finger prods and swipes is exactly what DJs want or need. Will it make DJing easier or is it just cool for the sake of coolness?

This is however hugely exciting stuff. I'm looking a stage beyond this where DJs can not only take their music on a USB, but also their own interface designed in whatever standard software powers such things, be it abstract like in the video or more conventional layouts emulating Traktor. DJ changeovers will be as simple as loading up a second set of decks in the chosen DJ's style and fading across to the new decks.

Thanks again "Skratchworx" for the info, This is hot!!!
As Always fans..... "Stay In The Mix"

Sunday, August 8, 2010

The Emulator + Token (Looks Like Iron Man's Computer)


"emulator" on töken concept from yöyen munchausen on Vimeo.

To date, touch screens have generally been little bigger than a book - more often than not the size of… well an iPhone screen. This of course makes the spacious traditional DJ metaphor a tad cramped to say the least, and frankly really crap to watch if you're a punter. But this video demonstrates the next level of controller technology, and also overcomes the hunched over the iPad non-performance. My iPad just became a placemat.

This is a 2 part thing:

1. The big screen is something called Token, developed by vimeo user yöyen munchausen. It appears to be a large multitouch screen interface aimed at performance. The beauty of it is that you can see both sides, thus the viewer can see exactly what the DJ is doing.

2. The software is called Emulator and created by Pablo Martin. It's a multitouch Windows 7 only program, and designed to work with 1280x800 touch screens. It's actually MIDI control software, and in this first release works with Traktor in internal mode, with compatibility with others coming.

If you thought that last post on iPad DeeJaying was deep, then this is sure to blow your mind. The Token has got to be the most sophisticated touch screen computer to come along so far.
Of cource this is gonna cost you a pretty penny, but the effect is immeasurable!!!

As Always, "Stay In The Mix"

Friday, July 16, 2010

iPad D.Jaying (Things That Make You Go WTF?)





This is good, as I mentioned in a previous post, technology is really on the move and if you're not keeping up you just might get left behind. Here's a video of a D.J. using two iPads to mix not only his music, but videos as well. Keep your eye on the screen in the background and you will see that some of his blends are actual music videos.

I know theres not a lot of you who can afford a set up quite like this yet, but I'm sure the price for these will be coming down as new tech continues to emerge. This is definately what I would call some next level s**t and I'm not trying to use up all my change frontin like I'm there already.

I didn't even know that the iPad was capable of doing all this (even though you still need the right software/hardware to make it work) but I am impressed that it does. Keep watching for other new developements as they come along and I'll keep doing my part to show you how it's working. As always...... "Stay In The Mix"

Saturday, July 10, 2010

The Turntable With A Brain (It's Alive !!!)

The Denon DN-S3700 Digital Turntable is in my opinion the most versatile Turntable/Controller I've done a review on so far. Although I usually try to review lesser priced items, this is one that I felt may be well worth the investment.

In comparison this unit has a lot of the same characteristics as the "Numark V7" but it takes the effects quality a few steps beyond. Of cource it's priced a little more than the V7, but this is what Denon has equipped this unit with to help justify the price.

A 9" spinning platter, USB and MIDI controls, fast-loading slot-in drive, 5 DSP FX, and more.


The Denon DN-S3700 Direct Drive Turntable Media Player and Controller is a solid, single-deck portable DJ instrument that provides working DJs with a host of useful features for enhanced creative flexibility. Most notably, thanks to its large 9" spinning platter design, the DN-S3700 literally offers the "best of both worlds" from both digital and analog realms. In addition to a host of advanced digital features, including USB and MIDI control, the sleek and elegant media player includes a built-in authentic vinyl record for surface control driven by Denon DJ's High Torque Direct Drive motor. This provides users with the classic and unmistakable feel of true vinyl.

High Torque Direct Drive Motor & Spinning Platter Design


Denon's proprietary 12-pole Direct Drive brushless motor design is keeping the art of the 110-year-old turntable alive & true to its native feel, delivering instant, full-rotation speed with a powerful 2.5 kg/cm of start-up torque within 0.5 seconds for true turntable reaction and response. DJs can perform freely on this 9" platter design mounted with a real vinyl record as if they were using a genuine analog turntable. Platter rotation can be changed between 33 and 45 RPM for comfort.

Fast Loading Slot-In Drive


The illuminated, fast-loading, quick-reading slot-in drive reads and supports standard compact audio discs and MP3 discs in a variety of formats: CD, CD-R, CD-RW, CD-ROM. Compact Disc CD-TEXT and MP3 ID3 Tags on CD-ROM are also displayed
 
USB Device Hosting


With easy access to the Internet these days, many DJs are shopping from home, purchasing their music collection online and storing these files on to a hard drive. The DN-S3700 is well equipped for the modern DJ and conveniently supports external USB mass storage class devices (USB Hubs are not supported). Connect your iPod (mass storage class iPods only), thumb drive, and large hard drives for easy access to your small or extensive MP3/WAV libraries up to 50,000 files. Simply plug any one of these devices into the Denon DN-S3700 to obtain the powerful on-board features such as, Instant Start, Auto Looping, Hot Starts, Effects, 8 ways to file search, and so much more.
 
MIDI Interface Controller (PC/MAC)


The DN-S3700 is also designed to interface & control a variety of popular audio/video DJ software applications that support USB MIDI interface, either by user-custom mapping or direct native support by the software vendor. Control your favorite DJ software all from one clever compact player. Supported platforms include Mac OSX 10.4 or higher, Windows XP SP2, Windows Vista.
 
Effects


Building the mood, adding energy, and remixing live for your thumping dancefloor has never been so easy with our crystal clear on-board DSP effects. Easily activate and have full parameter adjustments with a unique dry/wet mix control of the BPM sync'd effects: Flanger, Filter (High-Mid-Low), Echo, and Denon DJ's exclusive Echo Loop. 
 
This unit's list price is about $1,099.99, but you may find it for less shopping for it online. But keep in mind that it's not the technology that makes you a great D.J. It's the skill in using it and knowing what to play and when to play it.
 
So that's it for now, but as always.... "Stay In The Mix"

Wednesday, June 30, 2010

D.J.? Who says so?


I just had to run this post that I found on scratchworx posted by Gizmo back in May. This topic drew all sorts of comments from D.J's all over the country and I thought some of them made a lot of sense. This is a hot topic and I'm sure you have probably heard this before if you DJ or you know someone in the business.
Since the dawn of the day the first popular digital DJ product hit the scene, a unified cry of "Fake DJs" has reverberated from the generation being replaced by said shiny new technology. Vinyl DJs dissed CDJs and DVSs, who in turn heaped hate upon controllerist, who are all ganging up on anyone who dare to use an iPad to play a tune to a crowd. But dispite the basic principle of a DJ being the same - playing tracks one after another to keep the crowd on the dancefloor - subsequent generations are looked down upon from an ivory tower for daring to use anything new.

Let me pose some examples:

• A truly gifted turntablist can be pulling amazing tricks but be clearing the dancefloor with each flarey click they perform. Are they a DJ?

• A coked up Jesus posing VIP can be miming knob twiddles to a premade mixtape yet filling a stadium. Are they a DJ?

• DJ Dave Doubledecks can be spinning Cher and Bruce Springstein on their iPod mixer to a floor full of wedding revellers. Are they a DJ?

• A bedroom DJ who only mixes and scratches for their own enjoyment without ever playing to more than a few mates in their room. Are they a DJ?

There seems to be a feeling that technology defines the DJ. But the irony of skratchworx is that despite pushing nextlevelness under your nose, it's all rather useless in the wrong hands. For me, a DJ is defined by their music choices, knowing what to mix and when and their technical skills in doing so, and most definitely not the gear they use or the format they spin. There are notable cultural exceptions of course, but generally speaking technology doesn't make you a DJ. Knowing your music and your crowd however does.

So the fact remains that there are all kinds of DJs playing with all kinds of technology and music old and new, and yet floors are still filled and all these different styles of DJs keep getting gigs. So all of them are "real DJs" right?

You can read some of the replys to this topic on the skratchworx post dated May 30,2010 by Gizmo.(there were way too many) for me to include in this post and I had a little trouble trying to decide which one's were the best. But as I said this is a hot topic. So that's it for now, but as always "Stay In The Mix."

Sunday, June 6, 2010

A New Toy That Slices and Dices (I'm Not Talking Veggies)

As ever, closely guarded technology secrets are leakier than BP's oil pipes. Such is the case with Novation's new MIDI controller. Rather than being a controller that DJs seem to adopt, Dicer is aimed directly at DJs, and quite specifically Scratch Live DJs using Technics turntables.

So what is Dicer? Well it's a 2 part high quality plastic and rubber buttoned MIDI controller - one for each deck - that are daisy chained via a minijack cable. There's even provision for a Kensington lock, because if it ain't nailed down someone will attempt to relieve them from you for sure.

Out of the box they have 3 mapped functions: hot cues, auto loops and loop rolls, each of which is accessible via the 3 preset buttons. When each is selected, the buttons change colour to match so you know which mode you're in.

They sit very happily in the 45 adaptor slot on your Technics, but the peg unscrews from the Dicer leaving you to sit it in whatever space you choose. This could be in the corner of a deck, or on the faceplate of a mixer for example. And while the units do have rubber feet, they also supply some really aggressive black putty to keep the controllers in place. My Numark TTXs for example have curved surfaces, but with the putty they stay in place.

Price wise, Dicer is priced at about $99.99. Granted it's a little more than the Korg and Akai controllers, but it's designed to integrate better with turntables. You'll just have to decide if it's for you or not.
And just so you know, Dicer used to have 6 buttons which explains the name.

Until next time, "Stay In The Mix"
(Taken from Scratchworx)Posted by Gizmo June 3, 2010)

Saturday, May 29, 2010

It Doesn't Take Rocket Science.....Or Does It?

This post won't be about any particular piece of equippment that I'm showcaseing, Instead, I'd like to introduce another outstanding DJ who's doing more than just making a name for himself in the DJ business. He's making world news because of the fact that he is also an engineer for N.A.S.A.

I learned about D.J. Scientific while surfing through blogs one day on Google. As soon as I read his blog page and story I sent him a friend invite on Facebook which he accepted. When you go to his link at http://scientificbeats.com you will learn all there is to know about the man "D.J. Scientific" here is a short excerpt from his profile.

THE DJ
DJ Scientific is a truly unique individual. He is a powerful young man in that he has craftily combined street knowledge and book smarts in order to achieve the success that he envisions for himself and in order to give back to his community. He has sharpened his DJ skills for the past 20+ years (since Jr. High school) and is arguably one of the best DJs in the game. He is also one of the smartest players in the business.

Not only has Scientific flexed on the 1-and-2 at places like the NFL Super Bowl for the past five years, as a guest DJ in the “Bassment” with Big Tigger on BET’s “Rap City” on four separate occasions, and weekly at the #1 nightclub in the nation (Dream nightclub in DC); he continues to hold down his career as an Aerospace Engineer (aka “Rocket Scientist”) at the world’s premiere space agency, NASA!!


So that's it for now! and as Always, "Stay In The Mix"

Saturday, May 15, 2010

Dance or Watch? What Do You Do At The Party ?

When It comes to DeeJaying a party, some DeeJays seem to want to see you dance and some seem to make you want to watch what they are doing. I prefer to make my audience want to dance. But, as I mentioned in my blog on "Love It Or Leave It Alone" any properly recorded mix can make a crowd want to dance, but what does that say for the raw talent of the DeeJay?

Here I have given you a brief glimps of five time world champion D.J.Craze using the Traktor Kontrol X1 with his mixer and turntables. A very impressive demonstration (if I have to say so myself) but as you listen, you have to ask yourself will this kind of performance rock a party? or will it just make people look on in awesome wonder? Can anyone dance to this? I don't think so.
Don't get me wrong, I think talent like this is essential to keeping the art of DeeJaying alive and worth paying for, but we also need to remain focused on what the people want which is a rhythm that will make you move. I love the talent that both D.J. Craze and D.J. Rafik display on the turntables and it's this kind of talent that made them both world champion DeeJays I just love it more when this kind of talent is also used to make a crowd wanna dance!

With all that being said, I'd like to point out the controller being used which is by Native Instruments. It's the Traktor Kontrol X1 which is a very verstile piece of equipment for DeeJays It has all the control capabilities found in the Stanton SCS.3 "DaScratch" and then some. Both will require some dedicated hours of practice before you can produce anything even close to what these guys are doing with it.

The price for this unit is also comparable to the Stanton controller so it becomes just a matter of preference between the touch pad or actual nobs and buttons. They both make an excellent addition to any DeeJay set up.

So that's about it for now, but as always, "Stay In The Mix"

Tuesday, April 6, 2010

The Turntable...Reborn





The Turntable, Evolved

V7 is the turntable for today’s DJ. V7 delivers outstanding feel and unprecedented power in a single-platter digital DJ controller. V7 is based around the acclaimed adjustable torque, motorized-platter design from Numark's NS7 and delivers a host of professional features including real vinyl and a slipmat that analog turntablists will love, plus turntable control at ten times the resolution of standard MIDI, mouse-less library navigation, and Strip Search virtual-needle drop. V7’s link function enables you to combine two V7s with your choice of any mixer and your Mac or PC for a completely customizable, totally seamless performance environment.

V7 includes a professional 24-bit audio interface and contains premium faders, knobs, and buttons including controls for selecting tracks and blending audio effects in the included Serato ITCH software.

SERATO ITCH SOFTWARE
V7 comes with Serato ITCH. For one-to-one communication, each knob, button, and control on V7 corresponds exactly to that function in the software. Serato ITCH is already familiar if you use Scratch LIVE. ITCH builds on Scratch LIVE and adds some key, new features. ITCH makes timecode a thing of the past, so you won’t need to worry about needles skipping or vinyl wearing out. You can load your Scratch LIVE crates, loops, presets, and cue points seamlessly in ITCH. V7 also works with most other compatible MIDI DJ software and supports your iTunes library.

With natural vinyl feel, precise control, pristine sound, custom flexibility, advanced performance, and rock solid design, the turntable has evolved. Meet V7.

For those of you that may have been thinking the Numark NS7 was a bit too pricey, this is the answer. Just one of these digital turntables works like two and you can use your own mixer! You save hundreds of dollars by going this route and you can achieve the same result you get with the NS7.

You gotta love Numark for doing this one. Write to me and let me know what you think.
And that's it for now so as always "Stay In The Mix"

Tuesday, March 16, 2010

Love it or Leave it Alone...Is this the end of DJaying as we know it?

Philips Executive 30-Watt Micro Speaker System with iPod Dock (Black/Silver)
I never would have thought that I would be saying this, especially since my newsletter is centered around introducing the latest audio equipment being used today by D-Jays and anyone who's into music. But I can't help but wonder is technology moving so fast that it's wiping out the need for our profession as D.Js? I have to admit that I'm impressed with some of the things they're doing with MP3s and the new docking stations that are being made for them, but I'm not sure if this is helping my profession or hurting it!

Case in point, you have the new Phillips Stereo System (shown above) for iPods and the iPhone. This unit combines a docking station for your MP3 player, has a built-in CD player and has a sound that can easily fill a small room (and the room doesn't have to be that small). Now you might ask, why would a D.J.show up at a party with something that looks like this? Well the answer is, with something that sounds like this... Who needs a D.J? and yes, I have seen systems like this, (some even smaller)sitting on a table over in a corner somewhere at parties I've been to. And believe me, when I first walked in, I thought they had a D.J.

Over the years I've seen the transition from 8-tracks, to cassettes, to CDs and now to MP3s and I already know it's not gonna stop there! Bringing music to a venue has now become as easy as plugging in a simple hand held device into a broadcasting system that your 3 year old son can fetch for you! I'm just totally outdone! So I guess I could climb on board with everyone else and start using this sort of thing myself, but if everyone has some form of this technology, why would they want to pay me for using it?

I suppose the talent and showmanship that some D.Js put into their performance is still something that can't be replaced with an iPod (so far) and people still want more than just the music for certain types of affairs. So I guess we'll be hanging around for a little bit longer (whew!! I hope!) But I'll continue to look into the products being made just for D.Js and I will continue to share with you how that's working for us.

So until next time, As Always - Stay-In-The-Mix!

Saturday, March 6, 2010

DJ Fly DMC World Champion Turntabalist

When ever I run across a video of what I think is an outstanding performance by a DJ, I try to share it with my readers. This is one that I found to be very interesting not only because of the skillful use of the turntables, but the fact that this guy is not using any headphones or software and he still seems to know where every beat is on the two records he's mixing. This looks like it took some long hours of practice but the result was well worth it. So sit back and enjoy the awesome skill of World Champion D.J. Fly!



The gold set up he's using made it all the more fascinating! I hope you enjoyed watching. So until next time, Stay In The Mix!

Sunday, February 28, 2010

Stanton's DaScratch Controller - Technology from the Future



For anyone who has never seen this product being used, I tell you this is some major "Star Wars" s""t happening here. Stanton has really left our galaxy when they came up with this one. It's completly touch sensitive and does things you would not believe. Here's a bit of background info.

A totally different way to DJ at your fingertips.
Revolutionary and compact, DaScratch, a.k.a. the SCS.3d, is an innovative controller that is an excellent solution for any digital DJ looking for ultimate control over their software of choice. Part of the Stanton SC System control surface line, DaScratch's small footprint and sleek profile makes it a space-friendly addition to any existing DJ gear setup or can stand on its own as a complete controller solution.

Stanton's StanTouch technology allows you to use traditional DJ-style motions and gestures on a touch-pad style surface> This allows full control over music and software applications such as Traktor DJ Studio, Traktor Scratch, Ableton Live, Serato Scratch Live, or any other MIDI compatible software. Minimal moving parts ensure durability from gig to gig.

Now Stanton has gone another step even further into the future with the SCS3PAK Complete System. This is too spaced out for me to even begin to explain so I'll leave it to the experts to tell you what it does.

With intuitive, touch-sensitive controllers, the SCS3PAK DJ system is finger-clicking good.
Featuring two completely touch-sensitive control surfaces, the SCS.3d and the SCS.3m, the Stanton SCS3PAK complete system brings you intuitive, completely customizable software control without sacrificing any of the features of your traditional DJ rig. The SCS.3m ships with a new version of Native Instruments' Traktor LE that is based on the latest TRAKTOR PRO software platform, allowing the SCS3PAK products to be used together to create a full DJ system with intuitive control over the robust software features introduced with Traktor LE. Using only the SCS.3m, the two SCS.3d controllers, and Traktor LE, the Stanton SCS3PAK gives you a complete DJ rig with performance control features that surpass the capabilities of traditional mixer/deck equipment can be setup anywhere in the world within minutes.

SCS.3m Controller

The latest innovation in Stanton's award-winning SC System MIDI controller line, the SCS.3m translates the DJ-friendly design philosophy of a traditional DJ mixer into a portable, easy-to-use control surface built with the acclaimed StanTouch touch-sensitive technology introduced in its deck controller counterpart, the SCS.3d.

The SCS.3m incorporates all of the functions of a two-channel DJ mixer, plus a host of innovative new performance features made possible by Stanton's unique touch-sensitive control surface. The touch-sensitive sliders can be used to tweak EQs, allowing you to bring in different elements of a song during a mix, or instantly switch them to control FX parameters—all in one surface. The wide, touch-sensitive crossfader not only allows for seamless slow blends between decks, but is also able to detect (like the rest of the sliders) multiple finger presses, allowing for quick transform effects all in one control. The multicolor buttons can easily perform transport controls for starting and stopping playback, setting loops, doing EQ kills, or engaging effects without requiring a separate trigger controller. All of the visual indicators stay 100% in sync with applications supporting MIDI feedback, allowing for clear indication of the software settings and positions in low-light situations. Additionally, the unique touch-sensitive surface provides a new level of durability, since there are no moving parts to wear or break.

The SCS.3m controller and the SCS.3d (DaScratch) unit each sell for about $199.00 however the complete system can be purchased for about $499.00 saving you about $100.00 opposed to buying each piece separately. A pretty good bargain considering what you're getting and what it can do.

As I mentioned in my blog (From Vinyl to Plastic) it's amazing how far the art of D.Jaying has come along and this is by far as spacey as anything I've ever seen when it comes to D.J equipment. Even George Jetson would be intrigued.

So until next time, as always "Stay In The Mix!"

Monday, February 15, 2010

Don't Fret, Just Fade. . . Again


I'm often amazed at the left field thinking that comes out of the addled minds of DJs. And while manufacturers often cater to the lowest common denominator in a bid to make money, the cleverest ideas often remain in the realm of ultra niche. Here's the latest video for JohnBeez's fretless fader - the device that lets you play notes via MIDI with your fader - and cut at the same time.

Taken from the Youtube page:

What up... I'm working on the actual design of the Fretless Fader that will be for sale later on. I don't have a specific timeline for when that will happen, but I'll let y'all know when I know. This will not be a modified mixer, but a standalone product that you can use with or without your regular DJ mixer. I'm trying to include as many features that have been suggested as possible.

As I said before, this is ultra niche. I don't see mix DJs flocking towards it in a bid to enhance their sets, but for more creative scratchers, this is a viable and in many ways better alternative to the Vestax Controller One shown in the clip. While it is harder to perfect the technique, at least vinyl movement, fader movement and note change can be achieved with 2 hands. And you'll only need a PDX-3000 to achieve the same thing as well. Perhaps if any manufacturer decides to give a deck a revamp, they might consider adding MIDI as well - God knows it's trendy enough these days.

Obviously, this isn't for everyone, but you have to admire the tenacity of a guy who will firstly come up with such an idea, but also have the skills to take it to such a finished level. Double thumbs up from me, and I hope this homebrew does make it to a finished commercial product.

Once again thanks Scratchworx for the post and video. And as always,"Stay In The Mix"

Sunday, January 24, 2010

NAMM 2010 DJ Enferno on the Rane Sixty Eight



While the Rane Sixty Eight maybe be new to 99.9999% of us mere mortals, the 0.0001% DJ elite clearly know it very well indeed. Check out the above demos - DJ Enferno rocking a complex 3 deck Hip Hop set, and Jeff Milligan's 4 deck blend fest. Compare and contrast.

Coming from a mixed background of DJ styles, I can appreciate the techniques being shown but relate much more to Enferno's set even if it does use 1 more deck than I'm used to. Jeff Milligan's set looks to be incredibly complex with 3 and 4 decks running at once and a whole lot of audio weaving with faders.

What Jeff's video shows in particular is Scratch Live v2 running 4 decks. In this simplified form, it does look a lot more ITCH like than anything else. It also shows how 4 decks takes over the screen and leaves less space for your library. I guess more 17" laptops or external screens will be sold once SSL v2 hits the streets.

Enjoy the sets.

Thanks Scratchworx for the update. "Stay In The Mix"